The Joker is a fictional supervillain from American comic book publisher DC Comics and the main antagonist in Christopher Nolan's 2008 superhero filmThe Dark Knight. He was portrayed by late Australian actor Heath Ledger. Ledger's interpretation of the character is specifically influenced by the graphic novels Batman: The Killing Joke and Arkham Asylum: A Serious House on Serious Earth. In the film, he wears the character's traditional color palette, while his facial appearance includes clown makeup that covers facial scars of aGlasgow smile.
The film's interpretation of the Joker embodies themes of chaos, anarchy and obsession: Throughout the film, the character expresses a desire to upset social order through crime, and defines himself by his conflict with Batman. The character also explores techniques found in Ledger's previous performances, including his clown act in Terry Gilliam's fantasy film The Brothers Grimm. Further, it references paintings by artist Francis Bacon, Anthony Burgess' novel A Clockwork Orange and various punk rock musicians.
The Joker is considered one of Ledger's finest performances; he regarded it as his most enjoyable. When the film was released in July 2008, six months after the actor had died from an accidental prescription drug overdose, the performance caused a sensation and received universal acclaim and numerous posthumous accolades, including the Academy Award for Best Supporting Actor.
- 1 Contents
- 2 Fictional character biography
- 3 Background
- 4 Performance
- 5 Reception and legacy
Contents[edit | edit source]
Fictional character biography[edit | edit source]
The Dark Knight[edit | edit source]
Main article: The Dark Knight (film)
The Joker appears in The Dark Knight (2008). In the film's first scene, he and five accomplices, all wearing clown masks, rob a mob-owned bank. He tricks four of them into being killed by each other or the bank manager, then kills the last one himself and escapes with the money. Interrupting a videoconference between mob leaders Sal Maroni (Eric Roberts), the Chechen (Ritchie Coster) and Gambol (Michael Jai White) with their accountant Lau (Chin Han), he offers to kill Batman for half of the mob's money. Gambol refuses the offer and puts a bounty on the "clown". Later, the Joker kills Gambol and takes over his gang.
After learning that Batman (Christian Bale) has retrieved Lau, Maroni and the Chechen accept the Joker's offer. The Joker announces that people will die each day until Batman reveals his true identity, and makes good on his threat by murdering Gotham Police Commissioner Gillian B. Loeb (Colin McFarlane) and mob trial Judge Janet Surillo (Nydia Rodriguez Terracina). When Gotham's district attorney, Harvey Dent (Aaron Eckhart), attempts to draw him out by identifying himself as Batman, the Joker tries to kidnap him, only to be arrested. Batman interrogates him after Dent goes missing. The Joker also reveals that Dent's girlfriend (and Bruce Wayne's childhood sweetheart) Rachel Dawes (Maggie Gyllenhaal) has also gone missing and reveals their separate locations, both rigged up to time bombs. Switching their whereabouts, the Joker tricks Batman into saving Dent, who is disfigured in the explosion, while Rachel is killed. The Joker then escapes the police station with Lau, who had previously fled to Hong Kong only to be captured by Batman.
The Joker kills Lau and the Chechen, burns his half of the mob's money, and takes over the Chechen's gang. Then, to prevent Wayne Enterprises M&A law accountant Coleman Reese (Joshua Harto) from revealing Batman’s alter ego on TV, he announces that he will blow up a hospital if Reese is not dead within 60 minutes. During the panic, the Joker sneaks into Gotham General Hospital disguised as a nurse to meet with Dent, and persuades him to take revenge on the people he holds responsible for Rachel's death. He then blows up the hospital and takes a busload of hostages. He rigs explosives on two of the ferries separately containing citizens and criminals and tells the passengers that he will destroy both boats unless one blows up the other. Ultimately, however, the hostages choose not to blow each other up. Batman subsequently apprehends the Joker, who states that neither will kill each other and are meant to fight each other forever. The Joker gloats that he has won "the battle for Gotham's soul", as the city's inhabitants will lose hope once Dent's rampage as the murderous vigilante "Two-Face" become known. The Joker is then taken into custody as he laughs hysterically. Batman ultimately foils the Joker's plan by taking the blame for Dent's crimes; however, throughout the story The Joker tries to get Batman to break his non-lethal code. He successfully wins in getting Batman to "kill" Dent.
Background[edit | edit source]
"... I feel like this is an opportunity for me to not take myself too seriously, and for some reason I just gravitated towards [The Joker] and I knew I had something to give to him. And I just instantly had an idea of how to do it."
—Heath Ledger on why he preferred playing the super-villain.
As a starting actor, Heath Ledger did not attach himself seriously to the roles he was playing. This changed, however, when at age 22 he started to watch some of his films. Realizing that they were movies he himself might not actually have wanted to see, it made him more cautious and respectful towards his professional choices. The 2005 fantasy film The Brothers Grimm marked a turning point for the actor as director Terry Gilliam gave Ledger (and his co-star, Matt Damon) opportunities to create characters they had not been given before. Gilliam helped Ledger put on a clown act for that film, an experience the actor later acknowledged as an influence for his performance as the Joker.
Director Christopher Nolan had met with Ledger over the years for different roles. While meeting for the part of Batman in Batman Begins, Ledger explained that he was not interested in working on such a film. The actor reflected on his problems with portraying superheroes, saying; "I would just feel stupid and silly. I couldn't pull it off and there are other people who can perfectly, but I just couldn't take myself seriously." However, later impressed with Batman Begins, Ledger sought the part of the Joker from Nolan. Impressed with Ledger's determination, Nolan cast him in the part. "Heath was just ready to do it, he was ready to do something that big." Casting director John Papsidera reflected on the casting choice, saying the filmmakers knew they needed somebody courageous to play the part. Heath Ledger was cast before there was a script.
Performance[edit | edit source]
Heath Ledger described the Joker as a "psychopathic, mass murdering, schizophrenic clown with zero empathy."Highlighting the opportunity for freshness, the actor aimed for a new and different interpretation of the character, separate from previous film incarnations.
Ledger and Christopher Nolan both explained seeing eye-to-eye on the Joker's appearance in the film, sharing common reference points for who the character was going to be. Based on philosophical ideas of anarchy and chaos, they looked at art by Francis Bacon for visual reference and they talked about Malcolm McDowell's performance as Alex in Stanley Kubrick's film A Clockwork Orange, and who Alex is in Anthony Burgess's novel of the same name. Ledger was givenAlan Moore's graphic novel Batman: The Killing Joke for preparation for the role, as well as Grant Morrison's graphic novelArkham Asylum: A Serious House on Serious Earth, which the actor "really tried to read and put it down". In an interview with MTV, Ledger said he regarded the experience playing the Joker as the most fun he ever had, "and probably will ever have".
Description[edit | edit source]
"Everything about what he does from every gesture, every little facial tick, everything he's doing with his voice—it all speaks to the heart of this character. It all speaks to this idea of a character who's devoted to a concept of pure anarchy and chaos. It's hard to get a handle on how those elements combine. The physicality reminds me of the great silent comedians. It has a bit of[Buster] Keaton and [Charlie] Chaplin about it."
Wearing the character's traditional color palette, the Joker is dressed with a thin tie and a green waistcoat, topped by a purple overcoat. relating to a feel to New Romanticism. His shoes have an upward swoop at the toe, reminiscent to clown shoes. He carries no identification of any kind and offers no clear details about his true name or background; when he is arrested by the Gotham City police, they find only knives and lint in his pockets.
The Joker's hair is stringy, unkempt, and dyed green. His face is covered in a cracked and runny layer of white clown makeup, with his eyes thickly rimmed in black. A sloppy red grin is painted on the Glasgow smile beneath the makeup, extending from the mouth to the cheeks. Film critic Peter Travers wrote about the Joker as having "grungy hair and yellow teeth of a hound fresh out of hell".
The character's mannerisms carry a quality of unpredictability. His voice frequently shifts in pitch, so that he speaks his dialogue hitting higher notes, followed by an immediate lower voice capable of landing two octaves below. Nolan acknowledges this unpredictability to be part of the character's slinky physical movements as well, saying that Ledger's performance "[is] always a surprise". About the Joker's physical appearance, Geoff Boucher wrote for the Los Angeles Times that the character probes the facial scars with his tongue and "walks with shoulders bowed and his chin out and down, like ahyena".
Development[edit | edit source]
Steve Alexander, Heath Ledger's agent, said the actor had a "pay-or-play" deal on The Dark Knight, "so he felt free to do whatever he wanted to do as the Joker, no matter how crazy." According to The Imaginarium of Doctor Parnassuscinematographer Nicola Pecorini, Ledger had talked with him about Johnny Depp's off-kilter portrayal in Pirates of the Caribbean in relation to The Dark Knight, aiming to make a performance that would be "so far out he'd be fired." As Ledger was cast early in pre-production, Nolan explained that the actor had "months and months" to prepare for the role.
"Inside. He's laughing red and black and red and black till there's nothing left to laugh. Until, almost tenderly, he turns inside out through his mouth."
During a span of six weeks, Ledger "locked" himself away in a hotel room, forming a character diary and experimenting with voices. "It's a combination of reading all the comic books I could that were relevant to the script and then just closing my eyes and meditating on it," he said about his process. The diary contains scrawling and cuttings inside. Christopher Hooton, writing for The Independent, said that the 'Joker journal' had several stills from Stanley Kubrick's film A Clockwork Orange, joker cards, photos of hyenas, unhinged clown makeup and the word "chaos" highlighted in green. Furthermore, it contains a list of things the Joker would find funny, such as AIDS, landmines, and geniuses suffering brain damage. It was revealed that Ledger had read Grant Morrison's writing of The Clown at Midnight (Batman #663) and based the list upon the Batman writer's prose.
Ledger highlighted the importance of finding an iconic voice and laugh for the character, relating the voice as "the key to the demented killer." Nolan explained Ledger's early and "peculiar" ambition for the voice of the character, saying that the actor had studied the way ventriloquist dummies talk. The filmmaker also acknowledged that the voice performance was based on the Alexander technique.
Ledger developed the Joker's voice and mannerism slowly over time and during camera tests. "Don't act, just read it", Nolan had told Ledger for test screening. In hair and makeup tests, Ledger would start exploring the movements of the character. While test recording without sound, he shared his take on the Joker's voice and moves, and "in that way he sort of sneaked up on it."
The actor developed the physical appearance of the character, being "very involved" with the painting of his face, says prosthetic supervisor Conor O'Sullivan. O'Sullivan acknowledged how Ledger, Nolan and makeup artist John Caglione all gravitated towards a Francis Bacon painting Nolan was referring to. Ledger also got to choose the Joker's weapon among different rubber knives, and he worked closely with costume designer Lindy Hemming on deciding the look for the character.
Nolan noted, "We gave a Francis Bacon spin to [his face]. This corruption, this decay in the texture of the look itself. It's grubby. You can almost imagine what he smells like." With costume designer Lindy Hemming picking inspiration for the "chaotic" look from such countercultural pop culture artists as Pete Doherty, Iggy Pop, Johnny Rotten, and Sid Vicious.She gave the image for the Joker of someone who is "very sweaty" and who "probably doesn't have a proper home." She tried to present a backstory for the character "that he really doesn't look after himself."
Execution[edit | edit source]
Application of Heath Ledger's makeup was done with the actor scrunching special facial expressions. Caglione called the application work "a dance". This technique created facial textures for the white paint. As Ledger closed his eyes tight, Caglione put on the black makeup. Then, water was sprayed over the eyes and the actor would squeeze his eyes and shake his head and "all that black drippy, smudgy stuff would happen".
To get in character for filming, Ledger used his Joker diary which he carried with him on set. Between takes, Heath Ledger stayed out of character even as he wore the character costume, just being himself. The actor would goof around, skateboarding while in his Joker costume on set, and smoking cigarettes. John Caglione described Ledger as helping others around to relax, never letting "the intense nature of the roles overwhelm him."
The first sequence shot was the films IMAX opening, the "prologue". As the Joker wears a mask through the scene with minimal dialogue, Nolan set the prologue first in schedule because he wanted to put off performance worries, allowing Ledger to enjoy that relief.
The interrogation scene between Batman and the Joker was the first scene shot with Ledger really showing the full performance all together. The director and his leading actors all liked the idea of shooting the key scene early on. During rehearsals, the actors kept things loose and improvisational, saving for the actual shoot. Bale confirmed that Ledger did not perform the Joker's voice during rehearsals, waiting to get in character when the cameras rolled. Nolan later acknowledged the scene to be his favorite in the film, saying "I had never seen anybody sell a punch the way Heath was able to do with Christian."
Ledger was allowed to shoot and direct the threat videos the Joker sends out as warnings. Each take Ledger made was different from the last. Nolan was impressed enough with the first video shoot that he chose to not be present when Ledger shot the video with a kidnapped reporter (Anthony Michael Hall).
Heath Ledger always showed up early on set. The first thing he would do, according to Caglione, was to give bear hugs to cast and crew members around the set. "And no matter how banged-up or bruised Heath was after a long day, after we'd take off the last drop of makeup, he'd just hug everybody in the trailer before he left". At the end of shooting, on his Joker diary's final page, Ledger wrote "BYE BYE".
Effects of Heath Ledger's death[edit | edit source]
On January 22, 2008, after he had completed filming The Dark Knight, Ledger died, aged only 28, of an accidentalprescription drug overdose, leading to intense press attention and memorial tributes. "It was tremendously emotional, right when he passed, having to go back in and look at him every day [during editing]," Nolan recalled. "But the truth is, I feel very lucky to have something productive to do, to have a performance that he was very, very proud of, and that he had entrusted to me to finish." All of Ledger's scenes appear as he completed them in the filming; in editing the film, Nolan added no "digital effects" to alter Ledger's actual performance posthumously. Nolan has dedicated the film in part to Ledger's memory.
Ledger's death affected the marketing campaign for The Dark Knight and also both the production and marketing ofTerry Gilliam's film The Imaginarium of Doctor Parnassus; both Nolan and Gilliam celebrated and paid tribute to Ledger's work in these films.
Reception and legacy[edit | edit source]
Announcement and early response[edit | edit source]
On July 31, 2006, The Dark Knight was officially announced by Warner Bros with the casting of Heath Ledger as the Joker. The casting decision surprised others, and was seen as a controversial move at the time, receiving notable negative reactions on the internet. Nolan remembered the cynicism he endured surrounding Ledger's casting, saying that "the whole world turned around and said 'What are you doing?' You know, Heath Ledger, Joker, didn't make any sense to people at all."
However, with the first trailer released in 2007, the film and its portrayal of the Joker received very positive response from audiences and entertainment industry professionals alike. Mexican filmmaker Guillermo del Toro gushed of his impression for Ledger's performance, finding it "really, really edgy and scary." American Batman writers Paul Dini and Jeph Loeb both chimed with the positive reactions. Loeb, otherwise critical of Nicholson's portrayal of the character, expressed his excitement for Ledger's interpretation, saying the casting felt "just about right. I eagerly anticipate more!"
Critical reception[edit | edit source]
"Heath Ledger is magnificent. The Joker, incarnated with chilling authority by the actor, is simply one of the most twisted and mesmerizing creeps in movie history."
—Richard Corliss, Time
Heath Ledger's portrayal of the Joker received critical acclaim, winning numerous posthumous awards for his performance, including the Academy Award for Best Supporting Actor, a Golden Globe Award for Best Supporting Actor in a Motion Picture, the BAFTA Award for Best Actor in a Supporting Role, the Saturn Award for Best Supporting Actor, a Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role, and a Best Actor International Award at the 2008 Australian Film Institute Awards.
"I can only speak superlatives of Ledger, who is mad-crazy-brilliant as the Joker", wrotePeter Travers of Rolling Stone, stating that the film is deeper than its predecessor, with a "deft" script that refuses to scrutinize the Joker with popular psychology. Travers praised the cast, saying each brings his or her "'A' game" to the film." Travers said Ledger moves the Joker away from Jack Nicholson's interpretation into darker territory, and expresses his support for any potential campaign to have Ledger nominated for an Academy Award,
Roger Ebert of the Chicago Sun-Times stated that Heath Ledger's portrayal is a "key performance" and pondered whether he would become the first posthumous Academy Award-winning actor since Peter Finch in 1976.
Mark Dinning from Empire magazine called Ledger's performance "monumental" and wrote "The Dark Knight is Ledger's movie. It is a towering performance. ... A force of f*cking nature". Kevin Smith commented on Ledger, calling his "incredible" performance "the most frightening, smart and well-played villains ever. Ever." Mark Lee, writing for The Daily Telegraph, commented that Ledger accomplished "a genuinely unsettling, brilliant nuanced portrait of evil". Tim Teeman commented for The Times that "Ledger is so terrifying and unpredictable that his very presence on screen makes you nervous." Total Film reviewed that Ledger is "burning brightly as he embodies an icon. ... This is the definitive Joker", calling the performance "a masterpiece". For The Hollywood Reporter, Kirk Honeycutt called Ledger's performance "a beauty."\Entertainment Weekly put the film on its end-of-the-decade, "best-of" list, saying, "Every great hero needs a great villain. And in 2008, Christian Bale's Batman found his in Heath Ledger's demented dervish, the Joker." Emanuel Levy wrote Ledger "throws himself completely" into the role. David Denby of The New Yorker, otherwise critical of the film, praised Ledger's "sinister and frightening" performance, which he says is the film's one element of success. Denby called Ledger "mesmerising" and said, "His performance is a heroic, unsettling final act: this young actor looked into the abyss." "It's just one of the most iconic movie performances of modern times," declared chief film critic of Variety Scott Foundas.
Film critics, co-stars Maggie Gyllenhaal and Michael Caine, and many of Ledger's colleagues in the film community joined Bale in calling for and predicting a nomination for the 2008 Academy Award for Best Supporting Actor in recognition of Ledger's performance in The Dark Knight.